周末同床
是2002年上映的,源自于韓國的一部暢銷小說結(jié)婚是件瘋狂的事,影片講述的是一對現(xiàn)代侽釹復雜的噯情關系,描述了侽釹雙方在噯情與物質(zhì)、婚姻與自由之間的困難抉擇。影片的基調(diào)很平和,帶著憂傷的氣息?!O主角俊永是個大學教授,鈡等收入的職業(yè),買不起房子,到了適婚的年齡,但是有著瀟灑的生活,一向崇尚有xing無噯,認為結(jié)婚只是一種守舊及無謂的制度,并且對婚姻有種莫名的恐懼感。在弟弟的婚禮上,經(jīng)朋友介紹,俊永認識了sexy開放的設計師妍熙。妍熙是個向往華麗的物質(zhì)婚姻的釹孩,希望擁有噯情,同時也希望擁有舒適的生活。
影片推薦
復仇天使
弗朗西斯卡·伊斯特伍德,小克利夫頓·克林斯,邁克·韋爾奇,莉亞·麥肯德里克,彼得·瓦克,安德魯·卡德威爾,大衛(wèi)·蘇利文,亞當·拉扎爾-懷特,戴維·哈,邁克·C·曼寧,馬龍·楊歌舞大王齊格飛
威廉·鮑威爾,瑪娜·洛伊,路易絲·賴納,弗蘭克·摩根召喚藍寶寶
瓦萊麗亞·圣馬丁,賈斯蒂娜·塞瓦略斯,丹妮拉·弗洛姆鮑姆社區(qū)戰(zhàn)警
Poramat Paywongsa,Nattaporn Phetskaew,Kittisak Phrosekaew烏鴉
淺野忠信,瀧內(nèi)公美,托比·凱貝爾,高岡早紀神探巴克希
蘇尚特·辛格·拉吉普特,菊池隆則,阿南德·蒂瓦里,Swastika Mukherjee同類精選
演員龜岡拓次
安田顯,麻生久美子,宇野祥平,新井浩文,染谷將太,淺香航大,杉田薰,工藤夕貴,三田佳子,山崎努火中金
張桐,侯天來,李易祥爵士之王
保羅·惠特曼,約翰·博爾斯,勞拉·拉普蘭特,珍妮特·洛夫,格倫·特萊昂,William Kent,斯利姆·薩默維爾,The Rhythm Boys,凱瑟琳·克勞福德,卡拉·萊姆勒,Stanley Smith,George Chiles,Jack White,Frank Leslie,沃爾特·布倫南,Churchill Ross,約翰·阿利奇,內(nèi)爾·歐黛,Harry Barris,Bobbe Brox,Kathlyn Brox,Lorraine Brox,André Cheron,平·克勞斯貝,杰克·富爾頓恐怖列車
索拉·伯奇,吉迪恩·埃默里,卡凡·瑞斯,Derek Magyar,格羅瑞亞·沃特西斯,Todd Jensen,Vladimir Vladimirov伊甸之槍
Alexandra Faye Sadeghian,Bill Kennedy,Peter Johnson我們埋葬死者
黛西·雷德利,布倫頓·思韋茨,馬克·科爾斯·史密斯,馬特·惠倫,Chloe Hurst,金姆·杰克遜,Dan Paris,Deanna Cooney,Nicola Bartlett,Kim Fleming,Kingsley Judd,Salme Geransar,Elijah Williams,Luke Jai,Megan Hollier,Steve McCall,大衛(wèi)·佐納,Matthew Parkin,Jimmy Duncan,Bruce Denny影視排行
廢世界
故事設定在《廢頭》世界的1042年前,以機器人“羅賓”作為主角。羅賓原本作為護衛(wèi),隨同調(diào)查隊長特里斯前往地下世界調(diào)查異常情況。盡管肩負保護特里斯的使命,但調(diào)查隊卻遭到了人工生命體馬里甘的邪教組織“吉拉教”的襲擊。在壓倒性的戰(zhàn)力差距下,調(diào)查隊陷入苦戰(zhàn)。然而,在這場激烈的交鋒中,他們發(fā)現(xiàn)了次元的扭曲,并逐步揭開地下世界隱藏的秘密與異變的真相。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
飛機和火山
迪恩·凱恩,羅賓·吉文斯,勞倫斯·希爾頓-雅各布斯,Mike Jerome Putnam,Michael William Hunter,Laura Alexandra Ramos,Natalie Burtney當一架客機困在一堆噴發(fā)的火山中時,乘客和機組人員必須設法求生——在不降落的情況下。但在巖漿和火山灰的持續(xù)打擊下,機上的人產(chǎn)生了恐懼和不信任,威脅生命的不只是火山,人人必須學會合作,才能在火海飛行中活下去……
非法入侵
尼古拉斯·凱奇,妮可·基德曼,本·門德爾森,麗亞娜·萊伯拉托,凱姆·吉甘戴,喬丹娜·斯皮羅,達什·米霍克,艾米麗·梅德,尼可·托托雷拉米勒一家似乎擁有所有人都夢寐以求的生活:豪宅、跑車、美滿的家庭。在一個普通的日子,美麗的妻子薩拉(妮可·基德曼 Nicole Kidman 飾)迎接出差回家的丈夫,成功的鉆石采購商凱爾(尼古拉斯·凱奇 Nicolas Cage 飾)。凱爾回家的同時青春期的女兒則艾弗瑞(麗亞娜·萊伯拉托 Liana Liberato 飾)瞞著父母偷偷溜出家門去參加朋友家的派對??墒翘煊胁粶y風云,一伙由四人組成的搶劫團伙闖進米勒家,綁架了夫婦二人欲實施搶劫。艾弗瑞參加完派對回家也不幸撞到了家中正在發(fā)生的悲劇。面對喪心病狂的劫匪,米勒一家將怎樣解除危機?他們是否會安然無恙?而這看似普通的搶劫背后是否又有不為人知的陰謀和骯臟的秘密?