黑幫花剌

評分：6.1 播放：49萬 更新：2026-05-03

曉青因家貧，想幫家里一些忙，聽同學元罡在臺北很好發(fā)展，沒想到離開家，就發(fā)生不幸，被老狗騙失身，同時身上的旅費也被老狗搶去，只有留下元罡的地址，曉青找到元罡，發(fā)現(xiàn)元罡所工作的地方是應召站，離鄉(xiāng)背景無路可去，只好留下。沈云經(jīng)商失敗，狄峰黑幫老大，性好漁色，逼沈云開應召站，淑貞老狗的女兒，被老狗強奸加入應召，沈云對幾位女人特別照顧·狄峰希望沈云加入黑幫，沈云不肯，加上沈云幫曉青殺掉老狗，狄峰不滿，報警加害眾人，都被沈云等逃跑·沈云與眾人研究如何對付狄峰，經(jīng)眾人商量，一定要找到狄峰的犯罪資料，狄被眾人設計不成要殺沈云，在沈云有危急時，淑貞報警，曉青開槍殺死狄峰，眾人終于脫離黑幫，過正常生活。

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暗魔怨

彼得·費辛利,索菲婭·邁爾斯,娜塔莉亞·羅蒙絲,卡羅利娜·格拉,胡安·巴勃羅·甘博亞

　　大衛(wèi)（彼得·費辛利 Peter Facinelli 飾）的妻子英年早逝，之后他遇見了名為勞倫（索菲亞·邁爾斯 Sophia Myles 飾）的女子，兩人墜入了情網(wǎng)，勞倫讓大衛(wèi)重新找到了人生的希望和目標。大衛(wèi)和前妻生養(yǎng)了一個女兒取名吉爾（娜塔莉亞·羅蒙絲 Nathalia Ramos 飾），正直叛逆期的她獨自居住在哥倫比亞。　　某日，大衛(wèi)和勞倫踏上前往哥倫比亞的旅途探望女兒，可在途中竟然遭遇了車禍。兩人在暴雨之中找到了一間破舊的旅館棲身，卻在無意之中聽見旅館的地下室里傳來年輕女孩的呼救之聲。正義和道德驅(qū)使大衛(wèi)決定解救這名可憐的女孩，卻不知道他的這一行為將在場的所有人推入了萬劫不復的深淵之中。

春閨風月

艾琳·鄧恩,加里·格蘭特,拉爾夫·貝拉米,亞歷山大·達西,塞茜爾·坎寧安,莫莉·拉蒙特,喬伊斯·康普頓,羅伯特·沃里克,瑪麗·福布斯,Esther Dale,Robert Allen

 故事發(fā)生在車水馬龍的大都市紐約，杰瑞（加里·格蘭特 Cary Grant 飾）和露西（艾琳·鄧恩 Irene Dunne 飾）是一對感情十分要好的夫妻，兩人時常結(jié)伴出入上流人士所舉辦的高端晚宴之中，生活極盡奢華，但隨著時間的推移，這表面幸福的婚姻生活終究還是出現(xiàn)了裂痕，杰瑞和露西決定離婚。在兩人分開之后，杰瑞邂逅了富有而又美麗的遺孀芭芭拉（莫莉·拉蒙特 Molly Lamont 飾），露西則傍上了石油大亨丹尼爾（拉爾夫·貝拉米 Ralph Bellamy 飾），可尋找到了各自幸福的兩人卻并不能相安無事，正相反，他們開始想方設法的破壞和阻撓對方的情感關系，就此引出了一系列荒誕可笑的意外。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

時間之外的故鄉(xiāng)

郭輝,朱宇涵,蔡宣萱

大二在讀的安小河，因高利貸等事遭到“追殺”，30歲畫家康梅梅因接到“病?！蓖ㄖ瑑扇讼群蟆疤印被氐胶愫舆叺募亦l(xiāng)，與在村里夢想有一天能在河里找到傳說中金碗的農(nóng)民康大恒在爭吵和交往中，安小河對康梅梅產(chǎn)生了不一樣的情愫，父女多年的隔閡也冰釋前嫌。