反情色 アンチポルノ (2016)

公子?jì)?/h3> 伊雷,雪梨,周聰,劉克宣

　　周公是個(gè)70多歲的富翁，因?yàn)槠拮硬荒苌?，想娶個(gè)年輕的姑娘生個(gè)兒子繼承產(chǎn)業(yè)。一次偶然的機(jī)會(huì)他相中了一個(gè)名叫帶水的漁家女，于是買(mǎi)了好多時(shí)髦的東西送給帶水的父母作為聘禮。而正值懷春佳齡的帶水卻看上了周的手下——風(fēng)度翩翩的夏公子，夏公子以捧帶水做明星的托口哄住她。怎料帶水舉止粗俗，品性不羈，忍受不了嚴(yán)格的瘦身美體的訓(xùn)練。而一直暗戀帶水的炒蜆仔公子?jì)裳劭粗纳先藞?zhí)迷不悟地做富貴癡夢(mèng)，展開(kāi)了一場(chǎng)諧趣層生的奪妻大戰(zhàn)……

妖獸都市

　　故事發(fā)生在未來(lái)世界，阿龍（黎明 飾）和阿強(qiáng)（張學(xué)友 飾）都是抓捕妖獸的特警隊(duì)警員，但是上司（袁和平 飾）非常器重阿龍，而對(duì)阿強(qiáng)就戒心重重。阿強(qiáng)氣不過(guò)在酒吧買(mǎi)醉，得到了女友（李若彤 飾）的支持寬慰。然而，他心頭總是籠罩著陰影——原來(lái)阿強(qiáng)的母親也是妖獸，后來(lái)他把這個(gè)隱秘告訴了阿龍。阿龍也坦白了自己跟妖獸幻姬（李嘉欣 飾）的一段感情……　　此后，阿龍?jiān)谝淮巫ゲ对笞冢ㄖ俅_(dá)矢 飾）的行動(dòng)中，重逢了現(xiàn)已成為元妻的幻姬，情急之下卻要引出重重誤會(huì)。其實(shí)，元大宗是要跟人類(lèi)合作的妖獸，但是另有一股液態(tài)妖獸正在肆虐地侵襲這個(gè)城市。在對(duì)抗液態(tài)妖獸的過(guò)程中，阿龍與幻姬的感情經(jīng)歷了生死的考驗(yàn)，但是元大宗的兒子鬼眾道（張耀揚(yáng) 飾）卻設(shè)計(jì)離間意圖消滅人類(lèi)，與此同時(shí)阿強(qiáng)也發(fā)現(xiàn)了特警隊(duì)的叛徒……

悲情槍手

 故事發(fā)生在抗戰(zhàn)時(shí)期的上海。天龍會(huì)首領(lǐng)肖潔榮（談鵬飛 飾）委婉推辭日本陸軍總部要其出任親日同盟會(huì)長(zhǎng)職務(wù)，隱退江湖。冷亦嘯（周里京 飾）號(hào)稱(chēng)天龍會(huì)第一槍手，他抵制日本人的倒行逆施，暗中與肖潔榮的獨(dú)生女肖嵐（高穎 飾）相好。董浩然（何麟 飾）覬覦會(huì)長(zhǎng)職位，又貪肖嵐美色，他唆使肖潔榮把冷亦嘯從天龍會(huì)中逐出。不久，肖嵐委身董浩然，心灰意冷的冷亦嘯在記者陳麗娜（潘婕 飾）推薦下，為他人做私人保鏢。肖潔榮悔不該當(dāng)初趕走冷亦嘯，差肖嵐相請(qǐng)?jiān)饩?。肖潔榮日后遭殺害，冷亦嘯中伏擊幸遇陳麗娜相救，他在激戰(zhàn)中打死董浩然。在日本人為慶祝“螳螂計(jì)劃”獲得成功時(shí)，冷亦嘯幽靈般出現(xiàn)......

吸血獵手

　　A rogue police detective in search of his parents killer is murdered and reborn the ultimate killer.

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

赤腳大仙

鬼眨眼

　　A filmmaker discovers a box of video tapes depicting two students' disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.