愛情蛙跳跳

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

系列時(shí)隔約30年的2D劇場(chǎng)版動(dòng)畫，故事講述魯邦三世為奪取地圖上未標(biāo)注的神秘島嶼中沉睡的巨額寶藏，直面生涯最大考驗(yàn)

龍家村村長(zhǎng)龍卷峰（許紹雄飾）育有三女一子，分別名叫龍小東（高海寧飾）龍小南（陳靜飾）龍小茜（郭佩文飾）和龍小北（文佐匡飾） 　　大家姐小東是連續(xù)五年晉身最佳業(yè)績(jī)的百萬元桌級(jí)經(jīng)理。外表事業(yè)女王的小東卻是一個(gè)「天生麻將狂」，更偏偏戀上科學(xué)家男友馬壯（馬國(guó)明飾）馬壯對(duì)小東情深一往，只是他一世人最憎人打麻雀，為了不讓愛郎失望，小東竭力隱瞞自己是麻雀狂的真相 　　二妹小南攻讀戲劇，畢業(yè)後當(dāng)不了演員，卻在片場(chǎng)擔(dān)任「親密指導(dǎo)員」，遇上了躁狂影帝千紅哥（陳家樂飾），二人對(duì)戲劇追求南轅北轍，但兩個(gè)火星撞地球的人偏偏在相處過程由歡喜冤家變成擦出愛火花。 　　三妹小茜一天竟被小北老闆，胸圍廠太子爺林雨雲(yún)（李尚正鉓）落力追求，以為大團(tuán)圓結(jié)局之際誰知真相峰廻路轉(zhuǎn)，小茜和雨雲(yún)相愛背後，其實(shí)也暗藏一個(gè)驚天秘密。 　　三對(duì)男女，情場(chǎng)上各有各精彩，如何收科？

　　Molly Dunn（Jhey Castles 飾）從小熱愛地理，她曾在半夜做實(shí)驗(yàn)鬧得家人不得安寧，但是她并不是一個(gè)十分幸運(yùn)的孩子，父親很早就死于一場(chǎng)地震災(zāi)害中。長(zhǎng)大后Molly成為了一名地質(zhì)學(xué)家，在一所大學(xué)教書，某天她正在做一項(xiàng)預(yù)測(cè)地震的試驗(yàn)，安放在各處的傳感器數(shù)據(jù)顯示即將會(huì)有一場(chǎng)大地震發(fā)生，她必須通知所有人撤離，但是她的力量實(shí)在太薄弱了，并沒有人愿意聽信她的預(yù)測(cè)，地震如期而至，她只有與時(shí)間賽跑，盡可能的拯救更多的人。