花街狂奔

評(píng)分:6.9 播放:10萬(wàn) 更新:2026-04-24

珠寶店?yáng)|何霖面臨破產(chǎn),遂計(jì)劃打劫自己之店以騙取保金。森、大頭及東仔被選中來(lái)港,可惜行劫事敗。竟遭東主何霖滅口,只剩森一人逃離魔拳,躲到其青梅竹馬的知己阿虹處,無(wú)奈地,林卻發(fā)現(xiàn)阿虹淪為妓女,逐決意救她逃出火海,與此同時(shí),森的行蹤又給東主何霖發(fā)現(xiàn)...   

影片推薦

同類精選

影視排行

派對(duì)浪客孔明 THE MOVIE

向井理,上白石萌歌,藤岡靛,森山未來(lái),神尾楓珠,詩(shī)羽,菅原小春,八木莉可子,宮世琉彌,森崎溫,石野理子,石崎Huwie,和田理生,本間朋晃,真壁刀義,長(zhǎng)岡亮介,薔薇園啊嗚,菊地凜子,和田聰宏

  三國(guó)志の天才軍師?諸葛孔明が、なぜか現(xiàn)代の渋谷に転生?! ˉⅴ蕙隶濂ⅴ伐螗`月見(jiàn)英子の歌聲に心奪われた孔明は、英子とともに音楽の力で<天下泰平>を目指す。そんな中、日本を代表する3大音楽レーベル、KEY TIME、SSSミュージック、V-EXが頂點(diǎn)を競(jìng)う、史上最大の音楽バトルフェスの開(kāi)幕が決定。  各レーベルから多彩な強(qiáng)者アーティストが集結(jié)する中、孔明と英子も參戦することに。  だが、そんな二人の前に三國(guó)時(shí)代の孔明の最大のライバル司馬懿の末裔?司馬潤(rùn)、shin兄妹が立ちはだかる。  果たして、孔明と英子の運(yùn)命は──?

后來(lái)的我們韓版

具教煥,文佳煐,姜末琴

在開(kāi)往家鄉(xiāng)的客運(yùn)上,恩浩(具教煥 飾)遇見(jiàn)了休學(xué)后下定決心要前往某處的正媛(文佳煐 飾),產(chǎn)生了一段不可思議的緣分。為彼此的夢(mèng)想加油的兩人,不知不覺(jué)地深入對(duì)方的生活,成為了一對(duì)戀人。一同歡笑、爭(zhēng)吵、和解的兩人,雖然擁有了世上最熾熱的愛(ài),但面對(duì)殘酷的現(xiàn)實(shí),兩人最后仍選擇分道揚(yáng)鑣。就這樣過(guò)了10年,再次遇見(jiàn)彼此的瞬間,恩浩問(wèn)了正媛一直很想問(wèn)的問(wèn)題“如果我們……”                                                                        影片改編自2018年劉若英執(zhí)導(dǎo)的《后來(lái)的我們》。

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

炸掉銀行經(jīng)理

路易斯·托薩爾,戈雅·托萊多,哈維爾·古鐵雷斯,埃爾薇拉·明戈斯,費(fèi)爾南多·卡約,里卡多·德巴雷羅

  卡洛斯在一家銀行支行當(dāng)總經(jīng)理,最近他正和妻子瑪爾塔鬧別扭。風(fēng)和日麗的一天,他送兩個(gè)孩子馬科斯和莎拉上學(xué),卻發(fā)生了改變他人生命運(yùn)的事。嶄新的汽車上莫名其妙地出現(xiàn)一部手機(jī),一個(gè)陌生男人打來(lái)電話,號(hào)稱卡洛斯的車?yán)锉话仓昧艘活w炸彈。而恰在此時(shí),一個(gè)神秘的黑衣摩的男尾隨而至。這是一個(gè)惡作劇,還是真實(shí)的綁架勒索?事情的緣起何故,卡洛斯一家命運(yùn)又該如何?這部西班牙電影將為你呈現(xiàn)一百分鐘的驚心動(dòng)魄……