待綻薔薇 Starlet (2012)
簡（德麗·海明威 Dree Hemingway 飾）是一名二十一歲的妙齡少女，心中懷揣著成為演員的夢想，她來到了位于加州的圣費爾南多谷?？墒牵蔀檠輪T哪里是這么簡單的事？沒過多久，簡便和大多數(shù)來此打拼的女孩一樣，默默無名并且身無分文。在簡的生活圈里來往的，大多數(shù)是不靠譜的朋友們，而其中最值得信賴的，竟然是她那只名叫斯嘉麗的吉娃娃狗。 在老太太桑迪（貝塞德卡·約翰森 Besedka Johnson 飾）家舉辦的跳蚤市場上，簡偶然發(fā)現(xiàn)了一個塞著一大捆鈔票的老古董，這巨額的財產(chǎn)讓囊中羞澀的簡無法不在意，她打起了這筆巨款的主意，為此她開始特意的接近桑迪。沒想到，簡的這一舉動徹底的改變了她的生活。
劇情簡介
簡（德麗·海明威 Dree Hemingway 飾）是一名二十一歲的妙齡少女，心中懷揣著成為演員的夢想，她來到了位于加州的圣費爾南多谷。可是，成為演員哪里是這么簡單的事？沒過多久，簡便和大多數(shù)來此打拼的女孩一樣，默默無名并且身無分文。在簡的生活圈里來往的，大多數(shù)是不靠譜的朋友們，而其中最值得信賴的，竟然是她那只名叫斯嘉麗的吉娃娃狗。 在老太太桑迪（貝塞德卡·約翰森 Besedka Johnson 飾）家舉辦的跳蚤市場上，簡偶然發(fā)現(xiàn)了一個塞著一大捆鈔票的老古董，這巨額的財產(chǎn)讓囊中羞澀的簡無法不在意，她打起了這筆巨款的主意，為此她開始特意的接近桑迪。沒想到，簡的這一舉動徹底的改變了她的生活。
為你推薦
柔情摯我
薇姬·克里普斯,莫妮亞·喬柯里,維果·費雷拉-雷迪爾,安托萬·賴納茨,費奧多爾·阿特金,樸智敏,Manuel Vallade,奧拉利亞·佩蒂特,薩利夫·西塞,朱利安·德·圣·讓,瑪洛·赫比齊,安娜·西加勒維奇,Tallulah Cassavetti,安東尼·米切爾,烏姆尼亞·哈納德她離開丈夫與兒子，也離開穩(wěn)定的律師工作，在泳池、露天咖啡廳與私人公寓自在游走。以寫作寄托生活，對兒子的愛未減半分，與丈夫也親如摯友，直到那日，她向丈夫吐露與女性的親密關(guān)系，完美生活旋即化為一場幻夢。在失去監(jiān)護權(quán)后，她不得不在機構(gòu)間穿梭，為了見兒子一面奮力一搏，卻不知這樣的困境，何時能走到盡頭？
寶塔鎮(zhèn)河妖之詭墓龍棺
彭愚厶,曾妮,何其煒,王怡雯,郭野,周升清朝末年，城中百姓多數(shù)染上怪病。關(guān)心國家命運的禾苗希望張孝智助自己到水下地宮取得寶藏。但另有幾方勢力為了獲得地宮寶藏展開了一場大亂斗。最終，眾人發(fā)現(xiàn)所謂的寶藏根本子虛烏有。而導(dǎo)致盛京變成人間地獄的根源也非妖魔鬼怪，而是日本人人體試驗的陰謀。 張孝智與禾苗、兄弟錢眼兒、棄暗投明的黑風(fēng)雙煞最終不計自身安危地準備解救盛京的危局……
葉甫蓋尼·奧涅金
弗拉季米爾·弗多維琴科夫,阿廖娜·克梅爾尼茨卡亞,Liza Moryak,維克多·杜布朗拉沃夫,塔基楊娜·柳達耶娃葉甫蓋尼·奧涅金的生活很奢華：舞會、招待會、戲劇首演以及首都能為年輕人提供的其他娛樂活動。但社交生活早已讓他疲憊不堪，因此他認為住在村里的叔叔生病的消息是一個逃離令人厭惡的世界的機會。然而，到了莊園后，奧涅金得知一個親戚去世了，但這并沒有讓葉甫蓋尼太難過。他的經(jīng)濟狀況非常糟糕，叔叔很有錢，卻沒有其他繼承人。奧涅金把自己關(guān)在莊園里，避開鄰居，鄰居們很快就開始稱他為怪人。葉甫蓋尼過著漫無目的的孤獨生活，直到從國外回來的莊園主人出現(xiàn)在鄰近的莊園--一個年輕、熱情、對生活尚未滿足的連斯基，他把葉甫蓋尼介紹給了塔吉婭娜和奧爾加·拉林姐妹。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
末日逃生2：遷移
杰拉德·巴特勒,莫蕾娜·巴卡琳,羅曼·格里芬·戴維斯,蘇菲·湯普森,艾波·羅絲·雷瓦,威廉·阿巴迪,托米·厄爾·詹金斯,斯榮德·福斯·奧瓦格,Rachael Evelyn,Nathan Wiley,彼得·多卡普,Alex Lanipekun,戈登·亞歷山大,西塞爾·西姆·科赫,吉安尼·卡爾切蒂,Tommi Thor Gudmundsson,Shayn Herndon,莉亞·珀金斯,貢納·貝西·比昂森,Gina Gangar由于宇宙中的兩顆彗星正面撞擊了地球，致使地表生態(tài)遭遇毀滅性打擊，造成惡劣后果。全人類不得不躲藏在地堡中求得生存。身為科學(xué)家的加里蒂帶著一家人劫后余生，幸存了下來。雖然他們躲過了第一波的沖擊，但是他們所在的地堡中剩余的生活物資逐漸減少，其他幸存的人類也開始蠢蠢欲動。迫于壓力這一家人必須離開格陵蘭島的安全掩體，開始踏上危險的旅程。在這一路上他們無奈的發(fā)現(xiàn)，整個歐洲已經(jīng)被毀滅，變成了冰凍荒地。于是一家人只能再次被迫上路，最終，他們找到了新的棲身之所。
摩斯拉
堺正俊,香川京子,Furank? Sakai,小泉博Shipwreck survivors are found on Beiru Island (Infanto t?), which was previously used for atomic tests. The interior is amazingly free of radiation effects, and they believe that they were protected by a special juice that was given to them by the island's residents. A joint expedition of Rolisican and Japanese scientists explores Beiru and discovers many curious things, including two women only one foot (30 centimeters) high. Unscrupulous expedition leader Clark Nelson abducts the women and puts them in a vaudeville show. But their sweet singing contains a telepathic cry for help to Mothra, a gigantic moth that is worshiped as a deity by the island people. The giant monster heeds the call of the women and heads to Tokyo, wreaking destruction in its path.
別開門
徐立,曲少石,楊瓏,劉著,劉金,曹禹澄,李鶴楠,趙洪紀,李昕芮,王昌,熊競宇云南某小鎮(zhèn)上的一家客棧，浪蕩不羈的老板楊浩（曲少石 飾）與女服務(wù)員鬧鬧（曹蕾 飾）有染，還想方設(shè)法勾搭實習(xí)女服務(wù)生曉菲（徐立 飾）。柳經(jīng)理看在眼里，忍氣吞聲。這一天，楊浩的發(fā)小蹦燈兒（李鶴楠 飾）海外留學(xué)歸來。兩個好朋友一個德行，都有著輕浮虛化的言行。為了給好友接風(fēng)，楊浩召集柳經(jīng)理、曉菲、鬧鬧、后廚的仙爺、華子、小胖等人大擺筵席。夜深人靜，安靜的小院內(nèi)響起了陰冷清脆的高跟鞋聲，接著一個披頭散發(fā)的女人影影綽綽出現(xiàn)在各個角落。 心懷鬼胎的個人，將經(jīng)歷最恐怖的一夜……