即刻觀影
劇情賞析
編輯推薦
“騎”逢對(duì)手
那馨,李夢(mèng)男,任悅鳴,龐統(tǒng),閆震寧,陳家葆影片講述善良的外賣騎手劉大鵬偶然救了一位富翁，對(duì)富翁千金馬小蕓一見傾心，而馬小蕓正陷入一場(chǎng)險(xiǎn)惡圈套中，劉大鵬挺身而出，幫助馬小蕓戰(zhàn)勝邪惡的故事。
網(wǎng)紅女友
Karina Razner,Olga Kalicka,Joanna Koroniewska,馬太烏茲·巴納斯烏克,Rafal Królikowski網(wǎng)壇新星Zosia，綽號(hào)Just Sophie，發(fā)現(xiàn)她的男朋友，流行的YouTuber Komfi有外遇。當(dāng)背叛曝光，普德萊克被揭露時(shí)，女孩決定接受深受網(wǎng)友喜愛的維奧拉的邀請(qǐng)，和她一起去國(guó)外旅行，以獲得贊助商的錢。Zosia訪問(wèn)了塞浦路斯、伊維薩島、馬耳他、希臘和意大利的獨(dú)家度假村，為粉絲的影響力和關(guān)注而戰(zhàn)，加入了波蘭影響者的精英行列。不幸的是，當(dāng)她的前男友與性感的健身博主寶拉有染時(shí)，她與前男友的愛情丑聞變得越來(lái)越大，維奧拉的黑暗過(guò)去又回來(lái)困擾著她。當(dāng)有趣的細(xì)節(jié)和隱藏的秘密浮出水面時(shí)，Zosia將面臨一個(gè)難以接受的事實(shí)，即她如此渴望屬于的環(huán)境。
即興謀殺
李庚希,鄧家佳,劉奕鐵,黃曉明,岳佳頤,趙胤胤,楊皓宇,宗俊濤,呂鑫,龔毅星,于晞悅神秘孤島上只有一座何家古堡，以前死過(guò)很多人。半癱少女何思怡（李庚希 飾）離家17年后歸來(lái)，父親卻離奇失蹤，迎接她的是美艷溫柔的繼母（鄧家佳 飾）、風(fēng)度翩翩的私人醫(yī)生（黃曉明 飾）、年輕健碩的司機(jī)（劉奕鐵 飾）和萬(wàn)般貼心的女傭等人。這一切看似平靜，但不時(shí)響起的古怪聲音，似有若無(wú)的血腥氣味，似乎都藏著這座古堡不可言說(shuō)的秘密，一步步將這家人 拖入萬(wàn)劫不復(fù)的深淵，一場(chǎng)蓄謀已久的復(fù)仇大戲漸漸拉開帷幕……
六六大順
李孟武,肖軼,安悅溪,王喳喳,黃一飛,井凌瀟,畢童,提愛民瀕臨破產(chǎn)的老板李大順（李孟武 飾）為逆轉(zhuǎn)絕境，與死磕項(xiàng)目的技術(shù)宅李譜（肖軼 飾）踏上尋“小分子水”之路，臨時(shí)搭擋的組合囧況百出，還沒(méi)發(fā)車就透露著熱鬧，并偶遇了身世可憐的少年六六……
嘔吐戈?duì)?：慢性折磨嘔吐室
這是三部曲的最后一部，故事圍繞著將自己奉獻(xiàn)給撒旦的妓女展開。這部影片的內(nèi)容是極端而黑暗的，令人作嘔的情節(jié)屢屢出現(xiàn)，充斥著暴力，性，裸體，體液！一群女孩子和一個(gè)男人摳喉嚨催吐，然后吃掉嘔吐物，再吐出來(lái)……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster