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非請(qǐng)勿進(jìn)2026
阿德萊恩·魯?shù)婪?弗蘭切絲卡·雷阿萊,尼古拉斯·漢密爾頓,杰克·曼利,哈維爾·博泰特,勞倫斯·歐弗林,布倫南·凱爾·庫(kù)克,凱·卡斯特,沙恩·保羅·麥吉一群探險(xiǎn)家調(diào)查了一家廢棄的舊酒店，遇到了一個(gè)奇怪的超自然生物和一個(gè)尋找傳說(shuō)中隱藏寶藏的競(jìng)爭(zhēng)小組。
眠山怪影
Herbert M. DawleyIn a dream Uncle Jack looks through a magic telescope owned by the ghost of a hermit and sees what life was like millions of years ago, including a battle between prehistoric monsters.
大廚
讓·雷諾,邁克爾·揚(yáng),Rapha?lle Agogué,朱利安·波義塞利爾,莎樂(lè)梅·斯蒂文寧,Serge Larivière德高望重的亞歷山大（讓·雷諾 Jean Reno 飾）多年來(lái)一直是米其林餐廳的三星主廚，但是近來(lái)他的境遇卻屢現(xiàn)危機(jī)。當(dāng)下的法國(guó)料理界正是”分子料理”風(fēng)靡，傳統(tǒng)料理日漸衰落的時(shí)代，亞歷山大所堅(jiān)持的傳統(tǒng)料理很有可能會(huì)在即將到來(lái)的星級(jí)評(píng)審中落敗，餐廳的小開(kāi)更是翹首以盼可以就此炒了他。正當(dāng)亞歷山大焦頭爛額之時(shí)，一名名不見(jiàn)經(jīng)傳的小廚師杰克（邁克爾·揚(yáng) Micha?l Youn 飾）出現(xiàn)了，杰克是亞歷山大食譜的忠實(shí)追隨者，卻因?qū)α侠淼目駸峁虉?zhí)屢次失業(yè)，只好在養(yǎng)老院找了份油漆工作。一個(gè)偶然的機(jī)會(huì)，亞歷山大讓杰克到他的餐廳實(shí)習(xí)，杰克與生俱來(lái)的料理天分和另辟蹊徑的烹調(diào)創(chuàng)意令亞歷山大大為賞識(shí)，很快成為其左右手。星級(jí)評(píng)審越來(lái)越近，兩位傳統(tǒng)烹飪大師的合作能否在挑剔的”分子料理”派面前力挽狂瀾呢？
頭顱游戲
Carly Steel,萊昂納德·羅伯茨,杰咪·希爾,Edward Gelhaus,卡梅隆·博文,克里斯·海耶斯,Sidney Allison9名年輕人醒來(lái)后，腦袋上插著攝像頭，他們是一場(chǎng)密室逃脫游戲的參與者，為了生存，必須相互殺戮，直到最后一人。
午夜的太陽(yáng)
鄭知曉,車學(xué)沇該片翻拍自2006年上映的同名日本電影，講述罹患罕見(jiàn)疾病——XP色素性干皮癥的女主因?yàn)槠つw不能接受陽(yáng)光照射，否則將出現(xiàn)生命危險(xiǎn)。從此白天與之無(wú)緣，只能終日躲在家中，唯一的樂(lè)趣也只是趁著夜晚踱到車站廣場(chǎng)唱著自己喜愛(ài)的歌。在這一過(guò)程中，女主漸漸喜歡上時(shí)常路過(guò)車站的沖浪男孩的愛(ài)情故事。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster