細(xì)雪 細(xì)雪

讓她走

　　《尸控網(wǎng)路》寇帝卡拉漢執(zhí)導(dǎo)，2016多倫多暗夜恐怖電影節(jié)丶2016倫敦恐怖電影節(jié)?！蹲兿x(chóng)人》《鬼水魔咒》制片團(tuán)隊(duì)挖掘「消失的雙胞胎」現(xiàn)象之謎。面對(duì)自我邪惡雙生的另一面，你該任其操控，或是奮力抵抗？

冷光中

出獄后的艾娃試圖重新開(kāi)始，卻被哥哥卷回毒品交易。警方設(shè)局致哥哥身亡，她再度逃亡。好友遇害、父親背叛、親情撕裂下，艾娃鋌而走險(xiǎn)，與毒梟交易并清除叛徒，最終再次入獄。

眠狂四郎

在將軍德川家齊統(tǒng)治下的文政年間，老中水野忠成與水野忠邦在幕府內(nèi)展開(kāi)激烈的權(quán)力斗爭(zhēng)。此時(shí)，攜帶名刀“無(wú)想正宗”的神秘浪人眠狂四郎（長(zhǎng)谷川博己 飾）現(xiàn)身江戶(hù)，并受忠邦的親信之命，暗中刺殺刺客。被他斬殺的刺客頸上佩戴著象征基督信仰的念珠。隨后，狂四郎將此物交還給刺客的妹妹靜香，引發(fā)信徒與豪商備前屋的反擊，雙方為守護(hù)與暗殺而對(duì)立。另一方面，大目付松平主水正也奉忠成之命，派遣劍豪追殺狂四郎。權(quán)謀與信仰交織，一場(chǎng)錯(cuò)綜復(fù)雜的生死之戰(zhàn)即將展開(kāi)。

無(wú)名之町

退休中學(xué)教師神尾英一被人殺害，即將于兩個(gè)月后結(jié)婚的女兒神尾真世（有村架純 飾）在得知父親突然離世的消息后，返回了自己的家鄉(xiāng)。然而，這座小鎮(zhèn)自疫情蔓延以來(lái)，已失去了往日的活力，游客稀少，氣氛沉寂。深受學(xué)生們愛(ài)戴的教師英一，究竟為何遭人殺害？渴望揭開(kāi)真相的真世面前，出現(xiàn) 了一位神秘的男子——她的叔叔神尾武史（福山雅治 飾），一位曾在拉斯維加斯享譽(yù)盛名的前魔術(shù)師…… 　　本片改編自東野圭吾的同名小說(shuō)，講述了主人公以觀(guān)察人類(lèi)和誘導(dǎo)審問(wèn)為武器，和侄女一起解決疑難事件的故事。

19 十九

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

日出1927

 盛夏的度假時(shí)節(jié)，一位城市女人來(lái)到鄉(xiāng)下滯留，這期間，城市女人誘惑了當(dāng)?shù)氐霓r(nóng)夫并教唆他殺死自己的妻子（Janet Gaynor 飾）以便販賣(mài)掉農(nóng)莊后私奔。被迷惑了心竅的男人早已忘記了那些同妻子共處的純美時(shí)光，他將妻子帶到河面蓄謀加害，卻在要下毒手時(shí)幡然悔悟，傷心的妻子踏上了進(jìn)城的列車(chē)，男人窮追不舍一同抵達(dá)城市。城市里真正是一片花花世界呵，這對(duì)夫妻在街上游走玩樂(lè)，在那些小小的玩笑中，甜蜜的冒險(xiǎn)中，他們又找回了愛(ài)情的美妙共鳴……和好如初的兩人返回鄉(xiāng)村，不料卻在歸途遇上了肆虐的風(fēng)浪……本片是德國(guó)導(dǎo)演茂瑙赴美發(fā)展后拍攝的第一部作品，曾被多家權(quán)威媒體評(píng)選為默片最佳杰作之一，獲第一屆奧斯卡最佳女演員、攝影等多項(xiàng)褒獎(jiǎng)。