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新星尤妮斯·桑托斯飾演一名性取向流動(dòng)的藥品代表,她被派到馬里科鎮(zhèn)。在那里,她結(jié)識(shí)了一位迷人的當(dāng)?shù)嘏⒓捌淠杏?,并逐步陷入她的圈套。她利用這對(duì)情侶來滿足自己的性欲,將他們變成她性冒險(xiǎn)游戲中的棋子。
人氣佳作
尋找身體2
橋本環(huán)奈,真榮田鄉(xiāng)敦,櫻井海音,安齊星來,鈴木福,本田真凜,吉田明彥眠狂四郎
長(zhǎng)谷川博己,黑島結(jié)菜,高橋光臣,菜菜緒,森永悠希,坂東彌十郎,宅麻伸,今野浩喜,佐藤江梨子,西村雅彥,神保悟志 ,原沙知繪,本田博太郎愛寵
多米尼克·莫納漢,克塞尼亞·索羅,詹妮特·麥柯迪,達(dá)旺·麥克唐納,內(nèi)森·帕森斯,珍妮特·桑,加里·J·滕尼克利夫,丹尼斯·加西亞,約翰·羅斯·鮑伊,肖恩·布萊克默,艾琳·羅森,阿拉斯代爾·馬丁,哈莫尼·麥克利戈特,瑞秋·魯濱遜不被愛也沒關(guān)系
南沙良,馬場(chǎng)富美加,本田望結(jié),基俊介,河井青葉,伊島空,池津祥子導(dǎo)演精選
害蟲2023
孤獨(dú)青年在住宅大樓自設(shè)昆蟲館,把各種昆蟲和爬蟲類視為寵物,蝎子蜈蚣愛不釋手。新寵兒是一只外來蜘蛛,暫時(shí)給它一個(gè)安樂窩,只是掌上明蛛求生欲強(qiáng),它要逃離禁室,不斷繁衍。后代變種奪命巨蛛,大樓到處結(jié)滿蛛網(wǎng),居民陷入一片恐慌?;诠姲踩碛桑椒怄i現(xiàn)場(chǎng)所有出口,死里逃生更是難上加難。凡尼切克首部長(zhǎng)片,直視無孔不入的致命威脅,觸及社會(huì)的階級(jí)歧視,勾起封城恐懼,善用特效與場(chǎng)景空間,拍出令人毛骨悚然血壓狂飚的蛛殺危機(jī)。
我愛777
占士邦(譚耀文 飾)長(zhǎng)得一表人才又頗具才干,是廣告行業(yè)內(nèi)出了名的花花公子。因?yàn)閷?duì)感情缺少信任,年歲漸長(zhǎng)的他依舊保持單身,在內(nèi)心里,他一直希望能夠出現(xiàn)一個(gè)“完美的女人”,捕獲他的真心?! ∽罱?,占士邦在工作上遇到了點(diǎn)麻煩,他需要策劃一支啤酒廣告,卻苦于沒有靈感。就在這個(gè)節(jié)骨眼上,仿佛是上天賜給他的禮物,一個(gè)神秘的女子茱莉亞(舒淇 飾)出現(xiàn)在了占士邦的生活之中,只是,當(dāng)占士邦開始注意到茱莉亞之時(shí),她早已經(jīng)消失的無影無蹤。茱莉亞的冷艷與神秘帶給了占士邦靈感,工作上的問題迎刃而解,與此同時(shí),占士邦亦對(duì)茱莉亞的真身產(chǎn)生了興趣。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.