殺奸O娘

評(píng)分:4.7 播放:72萬 更新:2026-05-05
主演: 林金鋒 

東方之珠~香港是亞洲地區(qū)頗負(fù)盛名的觀光購(gòu)物天堂,但是,暗地里也是世界很多國(guó)家檔案里公認(rèn)的亞洲最大毒品轉(zhuǎn)運(yùn)站!香港政府為了洗血『最大毒品轉(zhuǎn)運(yùn)站』這個(gè)惡名,早就成立一個(gè)反毒機(jī)構(gòu)決心跟毒品交易集團(tuán)周旋到底。香港已被亞洲多國(guó)政府檔案認(rèn)定是最大毒品轉(zhuǎn)運(yùn)港。某日,港島中環(huán)AA商業(yè)大廈第39樓某企業(yè)機(jī)構(gòu)總辦公廳,百余人正在忙碌著,內(nèi)角公關(guān)經(jīng)理房里,林利紅正在拆迭來信,此時(shí)傳真機(jī)中傳過1張寫有數(shù)字0099080390909194De紙,林看完馬上燒毀。當(dāng)晚,國(guó)際刑警香港總部山頂某秘密地庫(kù),特勤Nv警玫瑰兵團(tuán)5人小組集合,聽李總指揮發(fā)布要得動(dòng)命令。5人名Nv子皆以紅、白、金、紫、黃色面具掩面,彼此不知對(duì)方真面目,也不知姓名,一切絕對(duì)機(jī)密,僅以編號(hào)101、103、105、、107、109為記。李指派紅玫瑰101追緝香港地區(qū)毒王伍,白103赴臺(tái)灣,金105赴日本,紫107...

影片推薦

同類精選

影視排行

未來學(xué)大會(huì)

羅賓·懷特,哈威·凱特爾,喬恩·哈姆,保羅·吉亞瑪提,柯蒂·斯密特-麥菲,丹尼·赫斯頓,薩米·蓋爾,邁克爾·斯塔爾-大衛(wèi),邁克爾·蘭德斯,莎拉·夏希,埃德·科爾賓,克里斯托弗·B·鄧肯,埃文費(fèi)蘭特,弗蘭西絲·費(fèi)舍

  曾經(jīng)名噪一時(shí)的女明星羅賓·懷特(羅賓·懷特 Robin Wright 飾)早已過氣,45歲的她因?yàn)閳?zhí)拗和任性毀掉的很多機(jī)會(huì),也讓公司老板杰夫(丹尼·赫斯頓 Danny Huston 飾)漸漸失去了耐心。杰夫逼迫她簽下演員生涯最后一份合約,從此羅賓的名字和三維掃描后的虛擬 形象只能出現(xiàn)在公司的展示墻上和數(shù)字時(shí)代的電影中。羅賓起初極度抵制,但在經(jīng)紀(jì)人艾爾(哈威·凱特爾 Harvey Keitel 飾)的竭力勸說下,同時(shí)考慮到兒子亞倫(柯蒂·斯密特-麥菲 Kodi Smit-McPhee 飾)的狀況,這個(gè)倔強(qiáng)的女人選擇妥協(xié)。20年后,羅賓驅(qū)車前往亞伯拉荷馬參加未來學(xué)大會(huì),而那里是一個(gè)全動(dòng)畫封鎖區(qū)。以動(dòng)畫形象示人的羅賓將經(jīng)歷一次難忘的旅程……  本片根據(jù)波蘭科幻、哲學(xué)、未來學(xué)作家斯坦尼斯拉夫·萊姆的短篇小說改編。

世界大戰(zhàn):輻射

威廉·鮑德溫,邁克爾·帕爾,凱特·霍吉,哈文·巴拉卡,Jessy Holtermann,布萊恩·萊蒙斯,Ryan Jones

  The Destroyers of Alien Invasion Attacks Survival the Tripod the Killers.

惡魔的藝術(shù)

阿麗莎·維爾斯,蘇帕克森·柴蒙蔻,特林·賽塔歐克,克朗通·拉查塔萬,頌猜·沙圖吞,埃薩拉·奧查庫(kù),尼魯·素查,克里塔尤德·蒂姆納特,鮑勃·布克霍爾茲,雪莉·嘉森,桑迪·??怂?艾爾維亞·蓋坦,格蘭特·喬治,尤里·洛文塔爾,戴夫·麥羅,蘇珊·馬奎,布萊斯·峇本布魯克,塔拉·普拉特,薩姆·里格爾,克莉絲汀·盧瑟福,菲利斯·桑普勒,斯蒂芬妮·社,史蒂夫·斯塔利,道格·斯通,丹·沃倫

 影片圍繞著一個(gè)家庭遭到情婦利用"黑色巫術(shù)"復(fù)仇的故事展開.講述了一個(gè)百萬富翁全家人被神秘而詭異的地殺害。沒有絲毫線索; 無法找到可以指證的兇手。神秘而恐怖的死亡令所有人為之困惑。一位罪案報(bào)道記者參與進(jìn)此案的調(diào)查, 發(fā)現(xiàn)一個(gè)美貌的女人有可疑。他該如何向所有人證明她就是那個(gè)一直隱藏著的、并且擅長(zhǎng)"魔鬼的藝術(shù)"的情婦? ...

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster