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交響詩(shī)篇超進(jìn)化1
名冢佳織透明人與蠅男
北原義郎,品川隆二,葉順子,毛利郁子,南部彰三,見明凡太朗古劍奇譚之焚寂天劫
白澍,梁婧嫻,姜震昊,黃羿,王景灝河貍變身計(jì)劃
佩珀·柯達(dá),鮑比·莫尼漢,喬恩·哈姆,凱茜·納基麥,戴夫·弗蘭科,愛德華多·弗蘭科,梅麗莎·維亞西諾爾,托馬斯·勞,梅麗爾·斯特里普,瓦妮莎·貝爾,阿帕娜·南切拉,山姆·理查森,小伊塞亞·維特洛克,史蒂夫·波賽爾,艾戈·烏迪姆,妮可拉·布魯姆,凱倫·惠伊,莉拉·劉,埃曼·阿卜杜勒-拉扎克,喬·斯帕諾,羅里·艾倫,迪米特利·馬丁不死真相
埃里克·羅伯茨,桑德拉·布萊克,阿什莉妮可布萊克,Hope Blackstock,C.J. Stussi,伊莎貝拉·洛厄爾全面營(yíng)救
魯克·高斯,羅伯特·戴維,戴維·費(fèi)爾南德斯,芭芭拉·帕多,帕特里夏·德·萊昂,Luis Gatica,Jeanette Samano,Jack Carlisle,Alain Mora,Zokai Holmes,Denitza García,Jordan Simkovic,Tonya Bordeaux,Mopar Murray,Laura Martin同類推薦
安眠實(shí)驗(yàn)
Krit Jeerapattananuwong,Warisara Jitpreedasakul,Philaiwan Khamphirathat,凱·樂希迪柴,汪撒孔·拉薩米塔特,帕尼莎拉·里庫(kù)蘇拉康,Supanaree Sutavijitvong,卜密巴特·塔沃斯理,Dujdao Vadhanapakorn,Kim WaddoupFour insomniac med school students are lured into a neuroscience experiment that spirals out of control and must find a way out before it's too late.
太空孤航
亞當(dāng)·桑德勒,凱瑞·穆里根,保羅·達(dá)諾,昆瑙·內(nèi)亞,伊莎貝拉·羅西里尼,莉娜·奧琳,彼得·帕帕內(nèi)克,瑪麗安·羅登,蘇珊娜·斯狄沃諾娃, 西妮德·菲爾普斯,珊妮·桑德勒,約翰·夫蘭達(dá)斯,巴什·多蘭,彼特·布拉哈,米庫(kù)拉斯·奇澤克,杰西卡·貝欽諾娃,索娜·博蒙特,金伯利·韓,勇·李,埃爾克·盧頓宇航員雅各布(亞當(dāng)·桑德勒 Adam Sandler 飾)獨(dú)自前往太陽系邊緣執(zhí)行科研任務(wù),六個(gè)月后,他回到地球發(fā)現(xiàn)婚姻已經(jīng)觸礁。而唯一能幫助他挽回妻子蘭卡(凱瑞·穆里根 Carey Mulligan 飾)的,竟然是潛伏在飛船內(nèi)來自時(shí)間之初的神秘生物哈努什(保羅·達(dá)諾 Paul Dano 配音)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
靈蝕
桑德拉·埃斯卡塞納,布魯納·岡薩雷斯,克勞蒂亞·普萊瑟,伊凡·查韋羅,安娜·托倫特,康斯薇洛·特魯希略,安吉拉·費(fèi)比安,卡拉·坎普拉自從父親死后,薇若妮卡就一直姊代母職照顧弟弟。思念父親的她,和兩個(gè)朋友在日全蝕那天,做了碟仙板以召喚她父親的靈體。不料就在日光完全遭到遮蔽同時(shí),玻璃破碎,薇若妮卡陷入恍惚狀態(tài)然后昏迷,朋友們也嚇得驚慌失措。薇若妮卡清醒后回家,卻開始發(fā)現(xiàn)一些異象:東西自己會(huì)移動(dòng)、看不見的地方傳來正體不明的呼吸聲……她覺得是她把父親帶回了生者的世界,可是這些異象卻越發(fā)不懷好意,讓她備感威脅。在弟弟的幫助下,薇若妮卡展開一項(xiàng)儀式要脫離靈體糾纏,卻召喚出始料未及的恐怖幻影,雖然薇若妮卡勇敢地抵抗,但她卻渾然不知可怕的后果正等著她……
靈殤
奧古斯特·維特根斯坦,阿爾瑪·特爾齊奇,Aleksandar Seksan,Ella Jazz,Sanin Milavic,Diana Fernández Pérez亞歷斯和莎瑪是一對(duì)年輕戀人,他們于前往波斯尼亞與赫塞哥維納中心時(shí)車子拋錨在森林里,他們決定向附近的村莊求援。路上,巴爾干戰(zhàn)亂的穆斯林幸存者莎瑪,開始懷疑有神秘力量追高清在跟著他們,而自信、快樂的年輕歐洲人亞歷斯,試圖讓莎瑪甩開這些胡思亂想;但莎瑪緊握著她的穆斯林護(hù)身符「哈麥利亞」不放,導(dǎo)致神秘力量從森林里逐漸浮現(xiàn)…