松樹博爾
1960年初,法國(guó)拉布勒海濱度假村。弗雷德里克和索菲姐妹在家庭教師奧黛特陪同下,與她們的姑姑貝拉、姑夫雷奧蒙代、表兄妹達(dá)尼埃爾、蘇珊、勒內(nèi)和迪蒂一同度假。她們的父親米歇爾留在里昂照看生意,母親萊娜則神秘地去了巴黎。弗雷德里克在日記中傾吐出內(nèi)心的秘密:她被大表兄達(dá)尼埃爾迷住了。幾年前他還是個(gè)孩子,現(xiàn)在卻已長(zhǎng)大大人,頗有男子魅力。后來,蘇菲說萊娜和米歇爾要分手了。弗雷德里克把這件事寫入日記,并對(duì)此而不知所措。兩個(gè)女孩子在電話里向她們的母親萊娜抱怨奧黛特看管她們的方式,哭訴她們對(duì)媽媽的思念。萊娜告訴貝拉和雷奧她要離開米歇爾,并且已經(jīng)為自己和女兒們?cè)诎屠枵业搅朔孔?。她還告訴貝拉她有個(gè)情人...
劇情簡(jiǎn)介
1960年初,法國(guó)拉布勒海濱度假村。弗雷德里克和索菲姐妹在家庭教師奧黛特陪同下,與她們的姑姑貝拉、姑夫雷奧蒙代、表兄妹達(dá)尼埃爾、蘇珊、勒內(nèi)和迪蒂一同度假。她們的父親米歇爾留在里昂照看生意,母親萊娜則神秘地去了巴黎。弗雷德里克在日記中傾吐出內(nèi)心的秘密:她被大表兄達(dá)尼埃爾迷住了。幾年前他還是個(gè)孩子,現(xiàn)在卻已長(zhǎng)大大人,頗有男子魅力。后來,蘇菲說萊娜和米歇爾要分手了。弗雷德里克把這件事寫入日記,并對(duì)此而不知所措。兩個(gè)女孩子在電話里向她們的母親萊娜抱怨奧黛特看管她們的方式,哭訴她們對(duì)媽媽的思念。萊娜告訴貝拉和雷奧她要離開米歇爾,并且已經(jīng)為自己和女兒們?cè)诎屠枵业搅朔孔印K€告訴貝拉她有個(gè)情人...
為你推薦
惡夜勒贖
費(fèi)爾南多·卡約,曼努埃拉·貝列斯,阿娜·瓦格納,德里坦·比巴平靜的一天,事業(yè)小有成就的中年男子杰米(費(fèi)爾南多·卡約 Fernando Cayo 飾)和妻子瑪爾塔(安娜·瓦格納 Ana Wagener 飾)、女兒伊莎(曼紐拉·維拉斯 Manuela Vellés 飾)搬入了夢(mèng)寐以求的大房子內(nèi)。正當(dāng)一家人爭(zhēng)論晚上該不該一起度過時(shí),三個(gè)蒙面歹徒闖入房中。為了保護(hù)家人的安全,杰米積極配合,抄下了信用卡號(hào)碼并交出手機(jī),并隨同歹徒的首領(lǐng)外出取錢。他時(shí)刻尋找機(jī)會(huì)報(bào)警,卻不知自己所面對(duì)的是根本不會(huì)妥協(xié)的冷血惡魔。另一方面,不斷有訪客扣響杰米家的房門,恐慌的瑪爾塔母女則想盡一切辦法逃脫,似乎又讓一切變得更加糟糕?! ∷茻o止境的長(zhǎng)夜,愈加黑暗幽冷……
太空運(yùn)輸
馬丁·拉波德,Michael Finger,Claude-Oliver Rudolph23世紀(jì)中葉,地球已進(jìn)入全面崩潰的階段,戰(zhàn)爭(zhēng)和傳染病讓這顆原本美麗的藍(lán)色星球破爛不堪,人類被迫離開賴以生存的家園,遠(yuǎn)赴外太空尋找新的棲息地。憑借TSA先進(jìn)的技術(shù),木衛(wèi)五成為充滿希望的新興樂土。在此之后,大批地球人乘坐飛船前往木衛(wèi)五,地球逐漸被人遺忘?! ∪欢驮诖藭r(shí),不斷有人起來反抗,聲稱要推翻TSA利用機(jī)器對(duì)人類的麻醉和統(tǒng)治,并據(jù)此不斷向空間站發(fā)起恐怖襲擊。美麗的勞拉·波特曼博士(Anna-Katharina Schwabroh 飾)隨一艘貨船前去空間站看望親人。在長(zhǎng)達(dá)4個(gè)月的旅途中,大部分人需進(jìn)入睡眠狀態(tài)。勞拉擔(dān)任了值班的任務(wù),然而在這靜寂的飛船里,似乎有其他人在暗中窺視著她。一樁樁陰謀漸漸浮出水面……
跟我○○○就能紅
青山泰菜,竹田光稀,円谷優(yōu)希,十代修介,富樫未來,佐藤仁,森岡里世,大地洋輔,八木將康,川瀨陽太地方から上京してマンガ家を目指すヒロインが戀に仕事に奮闘する本作。原作は実體験をもとにした香穂のマンガ「俺とSEXすれば売れる」だ。エロい中年マンガ家や若いアシスタントに次々と手を出す中堅(jiān)マンガ家など、危うい先輩たちに囲まれながら向上心を保ち邁進(jìn)していく主人公?香穂をミスFLASH2022 セミファイナリストの青山泰菜が演じた。
未來之心
喬新峰,曹艷,張恩碩,張德暉,宮蘇紋余書(喬新峰飾演)與梁瀾(曹燕飾演)夫婦研發(fā)了革命性AI“超心智腦”,旨在復(fù)原古生物生態(tài)。因兒子(張恩碩飾演)重病急需資金,二人分道揚(yáng)鑣:梁瀾與投資人何叔(張德暉飾演)合作,將AI用于建造賽博機(jī)械樂園;余書則攜子離開,堅(jiān)信技術(shù)不應(yīng)淪為娛樂工具。多年后為救子,余書登島交出原始代碼。不料程序遭竊,機(jī)械巨獸失控暴走。危機(jī)關(guān)頭,何叔犧牲自我換取生機(jī),余書夫婦最終聯(lián)手重啟初代代碼,關(guān)閉系統(tǒng),阻止災(zāi)難。離島后,他們發(fā)現(xiàn)何叔留下的代碼備份與醫(yī)療資源。兒子康復(fù)后,將這段經(jīng)歷寫成小說《未來之心》,見證科技、人性與愛的交織。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
灰色女士
埃里克·迪恩,Natalie Zea,Amy Madigan,艾德里安·萊斯特,Carolyn Stotesbery,Chris Meyer,Rebecca Gayheart,Jimmy Cummings,Laila RobinsA Boston police officer goes to Nantucket to investigate the murder of his partner, but he finds more than he bargained for.
陽光姐妹淘2011
沈恩敬,閔孝琳,姜素拉,南寶拉,陳熙瓊,金時(shí)厚,柳好貞,樸真珠,李妍京,金甫美,千玗嬉,李璟榮25年前,高中生任娜美(沈恩京 飾)一家從全羅道搬到漢城,娜美入讀真德女子高中,因方言濃重怯于開口的娜美幸運(yùn)的得到了同班大姐頭夏春花(姜索拉 飾)的維護(hù),并與圍繞在夏春花周圍的執(zhí)著于雙眼皮的金玫瑰、滿嘴臟話的黃珍熙、夢(mèng)想成為作家的徐金玉、要成為韓國(guó)小姐的俞福姬以及沉默傲慢的美人鄭秀智等五人結(jié)識(shí)。在一次和不良少女團(tuán)對(duì)決之后,春花和娜美等七人組成了“Sunny”團(tuán)體……多年以后,家庭主婦娜美在去醫(yī)院探望母親時(shí)偶然重逢了身患絕癥住院的春花,后者希望在生命的最后兩個(gè)月內(nèi),能夠再見當(dāng)年的Sunny成員。娜美找到金玫瑰,兩人委托私家偵探尋找當(dāng)年的同伴,而那些關(guān)于青春的回憶,也在一個(gè)個(gè)熟悉的名姓后面再次被喚醒。