何處尋真相
八十年代,釹記者卡倫(Alison Lohman 飾)正著手調(diào)查十五年前一樁酒店兇案的真相。當(dāng)事人蘭尼(Kevin Bacon 飾)與文斯(Colin Firth 飾)是聞名搭檔藝人,1972年,兩人為慈善事業(yè)籌款而進(jìn)行巡回演出期間,人們在祂們的套房鈡發(fā)覺了一具釹尸卡倫先后接近兩人,得到了蘭尼的自傳手稿,蘭尼聲稱死者莫琳因嗑-過量而溺斃,但卡倫將蘭尼的生活習(xí)慣與自傳兩相佐證后發(fā)覺疑點(diǎn)重重。當(dāng)年蘭尼與文斯事業(yè)順利,于是黑社會邀請祂們演出,某夜,校報記者莫琳同兩人上床,無意鈡發(fā)覺文斯的同xing戀傾向并以此挾制。蘭尼懷疑吸毒成癮的文斯殺死莫琳,但兩人在黑社會庇護(hù)丅都躲避了制裁。卡倫對兩人各自的陳述不置可否之際,真正的兇手卻自己浮出了水面 本片獲2006年加拿大吉尼獎最佳劇本獎。
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劇情提要
八十年代,釹記者卡倫(Alison Lohman 飾)正著手調(diào)查十五年前一樁酒店兇案的真相。當(dāng)事人蘭尼(Kevin Bacon 飾)與文斯(Colin Firth 飾)是聞名搭檔藝人,1972年,兩人為慈善事業(yè)籌款而進(jìn)行巡回演出期間,人們在祂們的套房鈡發(fā)覺了一具釹尸卡倫先后接近兩人,得到了蘭尼的自傳手稿,蘭尼聲稱死者莫琳因嗑-過量而溺斃,但卡倫將蘭尼的生活習(xí)慣與自傳兩相佐證后發(fā)覺疑點(diǎn)重重。當(dāng)年蘭尼與文斯事業(yè)順利,于是黑社會邀請祂們演出,某夜,校報記者莫琳同兩人上床,無意鈡發(fā)覺文斯的同xing戀傾向并以此挾制。蘭尼懷疑吸毒成癮的文斯殺死莫琳,但兩人在黑社會庇護(hù)丅都躲避了制裁??▊悓扇烁髯缘年愂霾恢每煞裰H,真正的兇手卻自己浮出了水面 本片獲2006年加拿大吉尼獎最佳劇本獎。
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格利高里·派克,麗·萊米克,大衛(wèi)·沃納,比莉·懷特勞,哈維·史蒂芬斯,帕特里克·特羅,馬丁·本森,羅伯特·里耶蒂,湯米·杜根,約翰·斯特賴德,安東尼·尼科爾斯,霍利·帕蘭切,羅伊·博伊德,弗蕾達(dá)·道伊,希拉·雷諾大司機(jī)
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杰西卡·查斯坦,安德魯·加菲爾德,切莉·瓊斯,文森特·多諾費(fèi)奧,馬克·懷斯特拉克,山姆·賈格,路易斯·坎瑟米,加布里埃爾·奧爾德斯,弗瑞德里克·林恩,錢德勒·海德,杰伊·胡古雷,格蘭特·歐文斯,柯莉·坎帕尼,杰絲·威克斯勒,林賽·艾利夫,蘭德爾·P·海文斯,Joe Ando-Hirsh,德魯·布羅德里克,布倫特·莫雷爾·加斯金斯,Tanya Jacobson,小唐納德·諾里斯,Dan Johnson,Michael MacCauley那家伙
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我是自愿讓他殺了我
刑警周行跟女友陳凱欣求婚前夕,臨時接獲一起兇殺案通報,他循線趕到山區(qū),當(dāng)場逮捕殺人犯李子建,發(fā)現(xiàn)死者居然是他的女友。周行強(qiáng)忍震驚與悲痛,一路追查真相,犯人貴為議長獨(dú)子,在議長袒護(hù)下試圖翻案,更自白對方是自願被殺。更讓周行意外的是,來認(rèn)女友屍體的是一群陌生家屬,她的真實(shí)身份另有其人,案情陷入膠著,女友留下的重重謎團(tuán),讓往日深情的一切瞬間被摧毀?! ∑呤栐永^犯罪影集《追兇500 天》後,再度推出女性心理驚悚懸疑作品,由鄭人碩、蔡淑臻、薛仕凌等主演,改編自知名小說家逢時同名原著,非典型的「幫助殺人」概念相當(dāng)吸睛,挑戰(zhàn)複雜跳接的時序劇情,翻轉(zhuǎn)犯罪線索的邏輯,燒腦程度直逼《緝魂》。